There is very little in mainstream western literature with such a streak of nihilism as Macbeth. The lead character is an irredeemable monster, created by his overly ambitious schemer of a wife, and the legacy he leaves is of a barren, wasted Scotland. The kingship Malcolm (Jack Reynor), son of the murdered Duncan (David Thewlis), inherits is hardly desirable, and that is never felt more keenly than in the final act of this new adaptation. As Macbeth (Michael Fassbender) and Macduff (Sean Harris) fight to decide the future of their homeland, it becomes clear that whoever wins will govern not a nation, but an extension of Hell itself. (more…)
One of the most high-profile biopics of the year, Danny Boyle and Aaron Sorkin’s Steve Jobs seems like one of the ‘sure things’ of this year’s awards cycle. Featuring a bevy of Oscar-friendly performances, a snappy and funny screenplay with some key highlight reel Big Quotes, the newest account of the divisive tech figurehead is bound to feature in many of the major award categories. Yet, there is also something missing at the core of Steve Jobs. While individual parts of the film are rarely less than good and quite often excellent, it doesn’t really coalesce into anything particularly moving. For Apple geeks, this detailed if mythologised look at the rocky history of some of the company’s products accomplishes just that, but for everyone else, it’s an effective prestige piece that is never quite the sum of its parts.