Michale Fassbender

Fair is film and film is fair –Cinema and the Shakespeare Adaptation


It is no debate that Justin Kurzel has crafted something wicked in his Macbeth: this is a savage Scotland where Shakespeare’s words flourish under a camera and cast that mingles cinema with sin. If you wish to know my thoughts on this Macbeth solely as a film, I suggest you read Jack Blackwell’s review as I share his opinion. My observation however, was that for a film so loyal to the setting of the Red King, Kurzel is not always faithful to the Bard himself, and is often open to remaking the plot altogether. This sparked a curiosity in me about this bizarre sub-genre that resides in film and has only continued to grow in popularity: The Shakespeare Adaptation.